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Happy Birthday to the Father of Gonzo Journalism

Today is the birthday of Hunter S. Thompson, born in Louisville, Kentucky in 1937. When he was in high school, his father died of myasthenia gravis, leaving the family impoverished. Thompson’s mother had to take a job as a librarian to support the family, and she turned to the bottle to cope with the loss of her husband. Thompson rebelled and embarked on a brief criminal career during his senior year of high school. He spent a month in jail as accessory to a robbery. As soon as he was released, he got into trouble again. This time, the judge gave him a choice between prison and the military, so he joined the Air Force. He began writing articles for the base’s newspaper, and when he was discharged, he took any newspaper jobs he could get.
His break came in 1964, when The Nation hired him to write about a dangerous new motorcycle gang known as the Hell’s Angels. The short investigative piece he wrote turned into a book deal, and he used his advance to buy a motorcycle. He rode around the country, and wrote about the bikers he met and the adventures he had. Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs was the end result; it was published in 1967, and it became a best-seller.
Thompson was a pioneer of a journalistic style that came to be known as “gonzo journalism.” The journalist becomes part of the story he’s researching, and the story is told through his eyes. There’s usually profanity, sarcasm, and exaggeration so that the line between journalism and fiction becomes blurred — mostly for the protection of the journalist and his subjects. As Thompson told Rolling Stone, “Absolute truth is a very rare and dangerous commodity in the context of professional journalism.” The style was born, Thompson said, when he was up against a deadline for a piece about the Kentucky Derby. He ended up writing a rambling account of watching the race. “The Kentucky Derby is Decadent and Depraved” appeared in Scanlan’s Monthly in June 1970. People loved it, and Thompson started getting bags of fan mail.
His most famous book started as an assignment for Sports Illustrated. That book is Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1971). It begins “We were somewhere around Barstow on the edge of the desert when the drugs began to take hold."
I think you have to be of a certain age to really understand Thompson. And that age is old enough to remember Richard Nixon. Thompson published Fear and Loathing on the Campaign Trail ’72 (1973), a collection of his Rolling Stone articles about the 1972 presidential election.
An early fax machine was procured for Thompson after he inquired about the device while visiting venture capitalist Max Palevsky, who concurrently served as chairman of Xerox and Rolling Stone for several years in the early 1970s. Dubbing it "the mojo wire", Thompson used the nascent technology to capitalize on the freewheeling nature of the campaign and extend the writing process precariously close to printing deadlines, often haphazardly sending in notes mere hours before the magazine went to press. Fellow writers and editors would have to assemble the finished product with Thompson over the phone.
He considered Richard Nixon his nemesis, Thompson's hatred of Richard Nixon is on display throughout Fear and Loathing—in diatribes on policy, as well as personal invective directed at Nixon and his inner circle. After Nixon’s death, he wrote an obituary of sorts, titled “He Was a Crook,” for Rolling Stone.
Thompson eventually ended up in Aspen, Colorado, where he took great delight in playing pranks on his neighbors. He died of a self-inflicted gunshot wound in 2005, after a period of illness. Per his request, his ashes were shot from a cannon while Bob Dylan’s “Mr. Tambourine Man” played and red, white, blue and green fireworks accompanied the ceremony. The cannon was placed atop a 153-foot tower which had the shape of a double-thumbed fist clutching a peyote button, a symbol originally used in his 1970 campaign for Sheriff of Pitkin County, Colorado.

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