Today is the birthday of one of my favorite writers, William Butler Yeats, born in Dublin, Ireland in 1865. He lived during great political and social changes in his home country, but he spent much of his life obsessed not with politics but with mysticism. His aunt gave him a popular book of the era called Esoteric Buddhism (1884), about Eastern mystical philosophy, and Yeats especially loved its idea that the world of matter was an illusion. When he was 20, he and a group of friends formed the Dublin Hermetic Society, in order to conduct experiments into the nature of ghosts and psychic powers.
He got involved in the London Theosophical Society in 1887 and later joined the Order of the Golden Dawn, a group that performed a variety of ancient magic rituals. He attended séances and tarot card readings. Seeing the performances of mediums and learning about reincarnation inspired him to study Celtic myths and folklore.
In 1889, he met Maud Gonne, a beautiful actress who had become an activist and who spoke out for Irish independence. She became the love of his life, and though she refused his proposal of marriage, she believed that they were spiritually married, that they could communicate telepathically, and that they had been brother and sister in a past life. She helped him gather folklore from the peasants, and to learn about ancient Celtic culture. Yeats came to believe that if he could get in touch with the deep, mythic history of the Irish people, he could pull the country together with the power of poetry. Yeats spent years writing plays about Irish nationalism for Maud Gonne to star in. But by 1910, Maud Gonne had married someone else and Yeats had given up on trying to win her love.
He continued to consult with mediums and to experiment with automatic writing and séances for the rest of his life, but he gave up on the idea of writing poetry for the collective soul of Ireland, and wrote instead for himself. He said, "We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry." Many critics consider his greatest poems those that he wrote after he gave up on Irish Nationalism, collected in books such as The Tower (1928) and The Winding Stair (1933).
From The Circus Animals' Desertion:
Those masterful images because complete
Grew in pure mind but out of what began?
A mound of refuse or the sweepings of a street,
Old kettles, old bottles, and a broken can,
Old iron, old bones, old rags, that raving slut
Who keeps the till. Now that my ladder's gone
I must lie down where all the ladders start
In the foul rag and bone shop of the heart.
Grew in pure mind but out of what began?
A mound of refuse or the sweepings of a street,
Old kettles, old bottles, and a broken can,
Old iron, old bones, old rags, that raving slut
Who keeps the till. Now that my ladder's gone
I must lie down where all the ladders start
In the foul rag and bone shop of the heart.
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